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Scatterings


herman de vries: points

              

random objectivations, 1975



zufallscollage, 1975



zwei tage unter der weissdornhecke, 1991
 


herman de vries: shapes
    



relief, 1966/1967
 


herman de vries: letters
  



"die welt ist alles was der fall ist", 1967



toevalsverdeling v 68-38, 1968
 


Lines
    



herman de vries:
toevalsobjectivering v 66-59, 1966



herman de vries:
toevalsobjectivering v 66-60, 1966



herman de vries:
random dots in space, 1971

         

François Morellet: 5 lignes au hasard; 10 lignes au hasard; 20 lignes au hasard; 40 lignes au hasard (1971)



Henryk Stazewski, 1977



Benoit B. Mandelbrot: Random Pattern of Streets, 1977.

 


Zdenek Sykora: Curves



Linienbild Nr. 3 "Hundert Linien", 1975



Linienbild, 1983



Linienbild Nr. 50, 1988



Linienbild Nr. 75, 1990



Linienbild



Linienbild

 


3D
  



herman de vries:
toevallige stapeling, 1973


Chris Burden: Beam Drop. Lewiston, NY, 1984.
(A public artwork, created by a crane
dropping steel beams into wet cement.)

 



A. Michael Noll: Paths through random point sequences, 1965
 



2D shapes created by connecting random points



F. Attneave and M.D. Arnoult:
Twenty-four point random polygons.

F. Attneave and M.D. Arnoult: "The Quantitative Study of Shape and Pattern Perception." Psychological Bulletin 53 (1956), pp. 452-471.

J.M. Vanderplas and E.A. Garvin: "The Association Value of Random Shapes." Journal of Experimental Psychology 57 (1959), pp. 147-154.

Bit-101 Laboratory: 02 mar 20; 02 apr 22/30; 02 may 03/12/23; 02 jul 30; 02 aug 11; 02 nov 18.
 



Online

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Bit-101 Laboratory: 02 jun 09

    




Literature

Gottfried Boehm: "Zur Analyse eines künstlerischen Problems bei F. Morellet." In Exhibition Catalogue François Morellet, Nationalgalerie Berlin, 1977.

Benoit B. Mandelbrot: Fractals. Form, Chance and Dimension. San Francisco: W.H. Freeman, 1977.

François Morellet: "Pour une peinture expérimentale programmée." (1962) In Exhibition Catalogue François Morellet, Nationalgalerie Berlin, 1977.

François Morellet: "Du spectateur au spectateur ou l'art de déballer son pique-nique." (1971) In Exhibition Catalogue François Morellet, Nationalgalerie Berlin, 1977.

François Morellet: "Avertissement." (1972) In Exhibition Catalogue François Morellet, Nationalgalerie Berlin, 1977.

Paul C. Vitz and Arnold B. Glimcher: Modern Art and Modern Science. The Parallel Analysis of Vision. New York: Praeger, 1984, p.230.

herman de vries: "Random Objectivations." In: Revue Nul=0, 2 (1963), pp. 34-35. [Reprinted in: herman de vries, Werken 1954 - 1980, Exhibition Catalogue Groninger Museum, 1980.]

     

 

Compiled by Remko Scha, 2002