One may entertain the idea that artworks are constituted by the
subjective intention of the artist who conceives them. A consequence
of this idea is that the artworks are better left unrealized ––
it is unlikely that any realization could be faithful to the intention,
let alone communicate it to a spectator. This point of view is
one of the motivations for the more hermetic varieties of concept
art, and for the art of nothing.
Nothing