"Les lignes jouent, dans les arts plastiques, exactement le même rôle que le rhythme dans l'art des sons."
Jean d'Udine: L'Art et le Geste. Paris: Alcan, 1910.
Continuous lines: tracing motion Analog Automatic Expressionism Animal Art Digital Simulated Movement Hybrid Harold Cohen: AARON Leonel Maura: Maurabots
Analog Automatic Expressionism Animal Art Digital Simulated Movement Hybrid Harold Cohen: AARON Leonel Maura: Maurabots
Analog
Automatic Expressionism Animal Art
Digital
Simulated Movement
Hybrid
Harold Cohen: AARON Leonel Maura: Maurabots
Discrete lines: grammars and coding systems Emanuel Leeuwenberg: Structural Information Theory Aristid Lindenmayer: L-Systems George Stiny: Shape Grammars
Emanuel Leeuwenberg: Structural Information Theory Aristid Lindenmayer: L-Systems George Stiny: Shape Grammars
Brownian Motion Bit-101 Laboratory: 2002 feb 01; 2002 jun 02; 2002 dec 02. Benoit B. Mandelbrot: Fractals. Form, Chance and Dimension. San Francisco: W.H. Freeman, 1977. A. Michael Noll (Homepage) A. Michael Noll (Digital Art Museum)
Bit-101 Laboratory: 2002 feb 01; 2002 jun 02; 2002 dec 02. Benoit B. Mandelbrot: Fractals. Form, Chance and Dimension. San Francisco: W.H. Freeman, 1977.
Bit-101 Laboratory: 2002 feb 01; 2002 jun 02; 2002 dec 02.
Benoit B. Mandelbrot: Fractals. Form, Chance and Dimension. San Francisco: W.H. Freeman, 1977.
A. Michael Noll (Homepage) A. Michael Noll (Digital Art Museum)
Fractal mountainscapes Bit-101 Laboratory: 2002 aug 08/09. Benoit B. Mandelbrot: Fractals. Form, Chance and Dimension. San Francisco: W.H. Freeman, 1977. Jared Tarbell: Self.Dividing.Forms, 2002.
Bit-101 Laboratory: 2002 aug 08/09. Benoit B. Mandelbrot: Fractals. Form, Chance and Dimension. San Francisco: W.H. Freeman, 1977. Jared Tarbell: Self.Dividing.Forms, 2002.
Bit-101 Laboratory: 2002 aug 08/09. Benoit B. Mandelbrot: Fractals. Form, Chance and Dimension. San Francisco: W.H. Freeman, 1977.
Jared Tarbell: Self.Dividing.Forms, 2002.